Oil On Canvas, Real Flavor of Old Masters

All Cosimo Tura 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
52182  
Allegory of July: Triumph of Jupiter, Cosimo Tura
  		 Allegory of July: Triumph of Jupiter   1476-84 Fresco, 216 x 320 cm
3208  
An Allegorical Figure, Cosimo Tura
  		 An Allegorical Figure   1460 National Gallery, London
20066  
Anthony of Padua Reading (mk05), Cosimo Tura
  		 Anthony of Padua Reading (mk05)   Wood 28 x 12 1/4''(71 x 31 cm)Campana Collection,Rome;entered the Louvre in 1863
77283  
Der Fruhling, Cosimo Tura
  		 Der Fruhling   Date Deutsch: um 1460 English: c. 1460 Medium Oil on panel Dimensions Deutsch: 116 ?? 71 cm cyf
98154  
Detail, Cosimo Tura
  		 Detail   circa 1475(1475) Medium oil on panel cyf
52185  
Madonna and Child in a Garden, Cosimo Tura
  		 Madonna and Child in a Garden   1452 Oil on panel, 53 x 37 cm
53711  
Madonna and child in a tradgard, Cosimo Tura
  		 Madonna and child in a tradgard   mk234 about 1455 53x37cm
86934  
Madonna with the Child Enthroned, Cosimo Tura
  		 Madonna with the Child Enthroned   1474(1474) Medium Oil on wood cyf
20065  
Pieta (mk05), Cosimo Tura
  		 Pieta (mk05)   Wood 52 x 105 1/2''(132 x 268 cm)Entered the Louvre in 1863
3207  
Pieta (The Dead Christ Supported by Two Angels), Cosimo Tura
  		 Pieta (The Dead Christ Supported by Two Angels)   1475 Art History Museum, Vienna
42895  
Saint Jerome in the Desert, Cosimo Tura
  		 Saint Jerome in the Desert   mk170 1475-1480 Oil and egg tempera on poplar 101x57.2cm
52187  
St Francis of Assisi and Announcing Angel, Cosimo Tura
  		 St Francis of Assisi and Announcing Angel   c. 1475 Oil on panel, 30 x 11 cm
52186  
The Madonna of the Zodiac, Cosimo Tura
  		 The Madonna of the Zodiac   c. 1453 Tempera on panel, 121 x 69 cm
42894  
The Muse Erato, Cosimo Tura
  		 The Muse Erato   mk170 1459-1463 Oil on poplar 116.2x71.1cm
40211  
The Spring, Cosimo Tura
  		 The Spring   mk156 c.1455-1460 Oil with egg tempera 116.2x71.1cm National Gallery London
42893  
The Virgin and Child Enthroned with Angels Making Music, Cosimo Tura
  		 The Virgin and Child Enthroned with Angels Making Music   mk170 1474-1475 oil and Egg tempera on poplar 239x101.6cm
52181  
Triumph of Mercury, Cosimo Tura
  		 Triumph of Mercury   1476-84 Fresco, 216 x 320 cm
55962  
virgin and child enthroned, Cosimo Tura
  		 virgin and child enthroned   mk247 c.1475,oil and egg tempera on poplar,94x40 in,239x101.5 cm,national gallery,london,uk
52188  
Virgin Announced and St Maurelio, Cosimo Tura
  		 Virgin Announced and St Maurelio   c. 1475 Oil on panel, 30 x 11 cm
Cosimo Tura
1430-95 Italian Cosimo Tura Galleries Cosimo Tura (c. 1430 ?C 1495), also known as Il Cosm?? or Cosme Tura, was an Italian early-Renaissance (or Quattrocento) painter and considered one of the founders of the School of Ferrara. Born in Ferrara, he was a student of Francesco Squarcione of Padua. Later he obtained patronage from both Dukes Borso and Ercole I d'Este. By 1460, he was stipended by the Ferrarese Court. His pupils include Francesco del Cossa and Francesco Bianchi. He appears influenced by Mantegna's and Piero della Francesca's quattrocento styles. In Ferrara, he is well represented by frescoes in the Palazzo Schifanoia (1469?C71) . This pleasure palace, with facade and architecture of little note, belonged to the d'Este family and is located just outside the medieval town walls. Cosimo, along with Francesco del Cossa, helped produce an intricately conceived allegorical series about the months of the year and zodiac symbols. The series contains contemporary portraits of musicians, laborers, and carnival floats in idyllic parades. As in Piero della Francesca's world, the unemotive figures mill in classical serenity. He also painted the organ doors for the Duomo showing the Annunciation (1469). He collaborated in the painting of a series of "muses" for a studiolo of Leonello d'Este, including the allegorical figure of Calliope at the National Gallery (see image). While the individual attributions are often debated, among the artists thought to complete the Angelo di Pietro da Sienna, also called Maccagino or Angelo Parrasio, and Michele Pannonio.



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